Portfolios > Inside/Outside:Absence/Presence

Present/Absent:Home/Office
Oil on Panel
48" x 46"
2024
Izabel's Pandemic Desk
Oil on Paper
2023
Inside/Outside:Absence/Presence-Living Room
Graphite on Paper
26" x 40"
2022
Inside/Outside:Absence/Presence-Basement
Graphite on Paper
12" x 40"
2022
Inside/out: Bars and Barriers, Blue and White
Oil on Ampersand Clapboard
16" x 20"
2023
$1000
January 6,2021
Oil on Panel
12" x 14"
2023
$1200
Elizabeth Rejects Mr. Darcy in my Dining Room
Graphite on Paper
12" x 14"
2022
Down or Out: Hallway
Micron Marker on Paper
14" x 12"
2022

The smell of spring mulch heavily applied to regulate flower beds in their carefully curated rectangles and semi-circles, summer sounds of mowers and edge-trimmers that ensure manicured lawns, and the splashing and screeching emerging from backyard pools, define most of the American suburban living. In her book, Lure of the Local: Sense of Place in a Multi-centered Society, Lucy Lippard speaks of places as hybrids of knowledges and experiences that are both visible and invisible to the exterior: “By entering that hybrid, we change it; and in each situation, we may play a different role.” How does one recognize the impact they have upon entering an existing space while also acknowledging one’s self-transformation through the process? What does placemaking mean as one navigates the relationship between the interior - the invisible – and the exterior – the visible? These are questions I considered as I began a series investigating the binary oppositions of Interior/Exterior and Absence/Presence.